Footnotes

1. The majority of the chromatic non-harmonic tones are appogiaturas; however, neighbour tones, passing tones, and the occasional échappé are also present.
2. It was common practice to inaccurately notate rhythms for facility's sake. Take, for example, the inner-voice melody of the same prelude.
3. Huneker, James. Chopin: The Man and His Music. New York: Dover, 1966, 123.

© 2008 Andrew Schartmann